Sunday, November 14, 2010

I can fix your primal pain.

It’s time to get this worked out. It won’t take long; there’s no need for extended therapy, risky medications or complex rationalisations, and I won’t charge you a penny. The treatment is brief, concise, and to the point. So let’s begin.

Like many people - so many more than you realise! - for some time now, you’ve been vaguely aware, somewhere deep in your hind-brain, of an unfathomed, unfulfilled desire. A primordial pining, a powerful yearning for understanding, comprehension, enlightenment even; a preternatural realisation that for far too long, your basic appreciation of what might reasonably be described as the definitive British heavy metal band - let alone any kind of respectable working knowledge of the detail of its oft-overlooked œuvre - has been so sorely lacking as to bring gut-wrenching shame upon you and your entire line.

Not only does this ignominious ignorance disgrace you socially, but it leaves you lost, lonely longing; desperate for deliverance from your sorry state of incompleteness, driven to distraction by the certain knowledge that someone, somewhere out there, has carefully curated exactly the collection of aural appetisers which together constitute the musical meal you seek; an introductory repast, an opening into the world of that which salves your soul and soothes your sorrows: the domain of down ‘n’ dirty, rough, ready and willing to rumble rock ‘n’ roll.

The scene is now set; the reason for your subconscious sorrow summarily laid bare, the fix is clear. All you need, to fill the void gnawing at your very core, is for that someone to be made known to you, in order that you might benefit from the balm of that unguent for the unconscious.

So let us tarry no further: I reveal myself to you as that someone! Yes, O weary traveller, I have the cure for your malady, and I present it to you now, for your distraction, delectation and delight: the highlights of 12 years of heavy metal history at a key point in its evolution, stripped of the populist and the filler. Friend, I bring you Motörhead killers, ’75-’87; a Spotify playlist of an hour or so of the best, beefiest, most straight-up tracks from the main proponent of what metal music is really all about: fast, heavy, bluesy rock. Get in there. Knock yourself out. You’ll find your emptiness evaporating immediately.

Sunday, September 6, 2009

Imogen Heap - Ellipsis

Long-heralded new album from Imogen. First couple of listens, it's definitely standing up to expectations.

Wednesday, July 16, 2008

ChordFind.Com - 4-string Chord Finder

Looks like I’m going to need this.
I finally gave in.

I finally gave in.
It’s probably been about eighteen years, since I first heard John Martyn’s “Over the Hill”, that I wanted one of these. In all that time I’ve never quite been able to justify buying one, what with not knowing how to play it and everything. I carried on wanting one, but always telling myself that it was a bizarre, atavistic desire and that it should consequently be quashed. Today, I walked past the Duke of Uke on Hanbury Street at lunchtime, went in, feeling slightly annoyed by some shit or other, just to buy some plectrums, and came out, feeling a lot brighter, with a mahogany Tanglewood mandolin. Bugger to tune, these things, and I bet it’s going to need setting up, but still, wheee!

Tuesday, May 20, 2008

Drum and Bass, Jungle, Old skool // UK Bass Radio / www.ukbassradio.co.uk

Found this on iTunes. Superb.

Friday, January 25, 2008

JazzMutant “Dexter”: touch-sensitive DAW control surface

I wonder if this might be able to pull me out of my slough of software-irritation-influenced musical despondency? All I’d have to do is stump up £1800 and I’d be a hit in no time. For sure.

Tuesday, August 14, 2007

YouTube - Video explains the world's most important 6-sec drum loop

Sunday, April 15, 2007

YouTube - LUCIDOGEN - THE YOUNG GODS

Thursday, October 5, 2006

Googleworld

Googleworld
Last night, I dreamt that Google had superimposed a false world on top of the real one, using a mixture of some sort of gas and a strange strain of idea-glue. They'd started on this project during the '80s and things had just got gradually more and more caught up in it since then, which was why the music was so bad. However, their insidious plan had started to unravel, as some people had started to notice; when I clocked what was going on, I thought that I and the others who knew would have to do something about it. This we did; our efforts seemed to consist mainly of going out and telling the rest of the people what was going on. There were some quite good special effects, including some explosions caused by the Google crew to stop me and my companions from spreading the truth, and then some interesting reality-melting sequences when we overcame their machinations and started to peel back the G-world, with all its speedboats and palm trees, revealing the real world underneath it - which was exactly the same, but not full of sublimated gas and rotten music, and therefore better. Less glue flying around too. It was a pretty fine dream.

Tuesday, June 6, 2006

CcHost - CcWiki